
London is where Garnish began, and the Pro Tools here is taught by producers working in the city's studios, clubs and labels. Groups are small, classes are hands-on, and the same course runs live online for students elsewhere in the UK and Europe, using our specialist music collaboration software, Muse.
“A nice relaxed working environment and detailed, in-depth working practices. I really got a lot from this course and answered a lot of questions I had about sound engineering processes in Pro Tools.”
Paul Tilley
Focal invited me to Dean Street Studios for a Focal SM9 and Twin Studio Monitor Speaker Demo ages ago, but I just haven't had time to write about them until now. When I walked into the room, the monitors were set up along with some NS10s like we have here for our mixing course. They looked massive w
Read →Recording vocals: DIY vocal booth and pop shield or pop filter: This is about how I record vocals at home with a DIY vocal booth. We cover more on this on the Sound Engineering course. I have a macbook pro plugged up to an apogee duet, pop shield or pop filter, some cables running from my dining roo
Read →Comping, tone control, mic modelling, de-popping, pitch correction, compression, reverb and delay - the full vocal chain, start to finish.
Read →A harmonious combination; new places, new people, new ideas and new sounds in different lands that present their own rhythms and culture can stir up something good in a natural and genuine way when recording while traveling. The perfect time to try new things, tune your ear, hone your craft, become
Read →How to place instruments across the stereo field, why the low end stays centred, and how to avoid phase cancellation and masking.
Read →What a vocoder actually does, the difference between carrier and modulator, how filter bands work, and how to sit one in a mix.
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