
“As a songwriter/producer I relied heavily on engineers for recording and mixing if I wanted to get my tracks sounding like masters. I always wanted to do more myself but struggled to learn anything watching an engineer zip around Logic or Pro Tools at 1000 mph! Then I found Garnish School of Sound and did their Mixing and Mastering course. It was exactly what I needed, we covered everything I was unsure of in the past from using buses properly, EQ, audio compression and using specialist mastering plugins. Everything was explained and demonstrated in a way I understood. I never thought i'd ever be able get such great sounding tracks doing everything myself.”
Ben Cullum
How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →Anyone who does an audio mixing course should experience life 'out of the box'. Not only is it fun to have a play on a load of real analogue kit, we believe that your mixes in the box will benefit from this experience. Victor balancing up a backing track on the Neve. It is a different art and most o
Read →When we experience a sound we are not only hearing it from the direct source, but also from the environment in which it is situated (reflections from…
Read →The whole mixing process, condensed: zeroing the desk, subgrouping, panning, using your ears, and where ambience fits in.
Read →Mastering is a vital part of the recording process, so much so that a substantial amount of ‘mystery’ is associated with it. We’ve all heard stories of…
Read →The human ear uses compression for pretty much the same reasons that we do in music, that being to control the level of an audio signal. As you may…
Read →